This blog will help you turn memories into meaningful stories for your family. We will sample three techniques to show how to take life experiences and create a memoir to record these events. By the end of this session, we will have drafted an introduction and outline to help them produce personal stories cherished by your family for generations to come.
Helen and Teacher
Tuesday, April 26, 2011
Thursday, April 21, 2011
From Dale Salwak
New Book Conjures The Literary Dead
Posted at 11:20PM Wednesday 20 Apr 2011
If you could meet one deceased literary figure, who would that be? What would you ask? What would you say, and why? In AFTERWORD: CONJURING THE LITERARY DEAD (May 1st, University of Iowa Press), edited by Dale Salwak, eighteen distinguished authors respond to this challenge by creating imagined conversations with a constellation of British and American authors, from Samuel Johnson to Jane Austen to Samuel Beckett to Edith Wharton.
Each chapter embarks on an intellectual, emotional, and often humorous voyage as the layers of time are peeled away, letting readers experience authors as they really were in their own era or, on occasion, transported to the present. As eccentric as it is eclectic, this collection takes the audience on a dizzying descent into a literary Inferno where biographers, novelists, and critics eat the food of the dead and return to tell the tale. Readers will take great pleasure in seeing what happens when scholars are loosed from the chains of fact and conduct imaginary interviews with deceased authors.
Covering 200 years of literary history, the essays in AFTERWORD draw upon the lifelong, consuming interest of the contributors, each fashioning a vivid, credible portrait of a vulnerable, driven, fully human character. As contributors appeal to what Margaret Atwood calls the deep human desire to "go to the land of the dead, to bring back to the living someone who has gone there," readers are privy to questions that have seldom been asked, to incidents that have been suppressed, to some of the secrets that have puzzled readers for years, and to novel literary truths about the essential nature of each author.
Contributors:
Catherine Aird (on Rudyard Kipling), Brian Aldiss (on Thomas Hardy), Margaret Atwood (on negotiating with the dead), William M. Chace (on Ezra Pound), Nora Crook (on the Shelleys), Paul Delany (on George Gissing), Colin Dexter (on Alfred Edward Housman), Margaret Drabble (on Arnold Bennett), Peter Firchow (on George Orwell), Alan W. Friedman (on Samuel Beckett), Eugene Goodheart (on Jane Austen), John Halperin (on Edith Wharton), Francis King (on Oscar Wilde), Jeffrey Meyers (on Samuel Johnson), Cynthia Ozick (on Henry James), Jay Parini (on Robert Frost), Carl Rollyson (on William Faulkner), Dale Salwak and Laura Nagy (on literary imagination), Alan Sillitoe (on Joseph Conrad), and Ann Thwaite (on Frances Hodgson Burnett, Edmund Gosse, A. A. Milne, and Emily Tennyson).
Thursday, April 7, 2011
Memoirs Wilbert Rideau
I was able to hear this gentleman speak this week. His story is well worth hearing and telling. I recommend his memoir, In the Place of Justice. Remember to journal, and remember to view my other blogs and to visit and comment often. Now, more than ever, we need to journal and to write down history as it is happening so that people will remember. History professional written is selective and revisionist, and it is written by the victors. It is in small things forgotten that the true answer lies. Keep writing.
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